26 July 2014

Picket Panic at the Disco Show


We’d rather love it than leave it,
if forced to choose.
Love it when it gets really, really
                            bad.

We love disaster.

We went on and on like
drones, and
now it’s on.

It’s shit.  Like
staring in the mirror.
Like a puddle in the snow.

This is loopable Zen. 

We never minded our
grammar.  It didn’t matter.
We were Man and
anti-Man.
We all got older and

 f a t t e r.

Death Valley gave us cancer some
years after
we’d been living
like actors.

This is the best
lightening storm.


Stand by.

24 July 2014

Glory Be The Breeze

The trees if you’re listening
move at eighteen different speeds
each with it’s own
frangible sound.
Here’s how it started:
At the start of the Forest Age, they were
captured
during raids.  Each was made
a slave and chained with roots
sewn into ground.  Forced to
give shade,
no more walking
around.

In the first year, they tried time
and again
will themselves
free, but
after Christmas happened, most
surrendered
to stand
up and just
let it happen.

Attached, by that time
their roots had started to feed
them, and they liked
not having to
go out and gather
food to survive.  Now,
they could save energy.  Now,
if the earth ate,
they ate.

They ate the sun, too. 
It gave plenty.  They took in
the light
and gave it back
as matter.

They never took lovers.
It didn’t matter.
They got stronger and larger and
fatter.  They all grew flowers,
in one form
or another.  The pistils
made seeds they could
scatter, and the seeds, they
made others
like mothers and
fathers, made
               brothers.

Then the wind started helping. 
Air taking itself out
for a ride
lent a hand and spread
the seeds faster,
made them wave
back and forth
to each other
like a sea
of mailmen

like exotic


dancers.

20 July 2014

The Ants, Part Two


First, I tried to ask the ants to leave.
They didn’t listen.
Then it got loud inside for several months.
Constant parties.
No one ever turned the lights out. 
If there were ants with us then, we didn’t notice or mind them.
There was a pond behind the house a little ways.
It was at the edge of the yard. 
I don’t think anyone knew about it, but we knew.
If you followed the pond for a half mile, you’d get to Ant City.
They put up the Queen there, and built ant castles around her. 
It was opulent. 
There were so many in there.
The ground was moving like a sea of ants.
The city walls were dirt mounds, as tall as our noses.
We’d stand outside the walls and watch them. 
Inside, it smelled like honey.
And the town had a sound to it. 
Like a warbled hum or a rolling murmur.
It was so soft, this sound that you’d almost not believe in it.
But you could feel it in the ground, the hum.
And you could smell the honey.

The Quantum Crowd

Body as a sack
of bones.  Body as lesson.
Body as allergy, attacked
while it's attacking.  Body as uncertain
splendor.        As a lesson.

Body as rivulets of energy.  As charged
weight.  Body as lightening with hushed
thunder.  Body as oil and
fat and blubber.  As enzyme.
As transcendental
                                         number.

Body as brother.  As chains
whirling in the
matter.  Body blundered
and un-blundered.  Bumbled and
bumbled.  As un-lover.

Body of another.  Body
as advanced machine.  As branch
with bark
and leaves.  Erroneously ever-
lasting.  Like summer.  Body
raw and body
baked with dirt and worms
and microscopic
          bones in a bunker.

Body animate.  A feast of
carcass becoming body, single-
minded body.  Cathedral bodies.
Sound bodies without mind and sound
minds without
                            anybody.

Body accidental and
essential.  Functional and
ornamental.  Body tattered
like something
left out in the
           weather.
 
Body burned and smoked
like ganja, breathed in and held
within another.  Body healed and
held within another.  Body cleaned
and seen
by all the others. 

Radiant body exhaling body-shaped
penumbras all around us.
Bodies grown from ground like
cabbage.  Root
body
of stalk body,
up and taller.  Body turning into
the same
body.  Bodies changed and
                    monumental.

Bodies full of strength and fluid.
Bodies gone.  Nanoscopic.
Wrapped in plastic and recovered.
Bodies
                     touching.

Everybody subatomic and becoming
nothing.  Like zombis,
blank as ciphers, nothing

                             naught as
                             not any
things,
as the skeletons that
                    brought us.

19 July 2014

This Poem I Know I Hate

Details are the things
that disappear when you die
so come and get them.

If you’ve ever experienced difficulty
distinguishing whether or not you
love
or hate something
like a painting or a song
or a person, then you know what I mean.

For instance:

I love the intensity.  It’s the only reason
that I care.  Also:
I hate the
Intensity.  It’s embarrassing.  Don’t take things
so seriously.

Love the sloppiness.  And I hate
the sloppiness. 

I hate the trite,
careless words.  You can
do better than that.  Also:  I love the trite, careless
words.  It’s so easy to belt, to relate to.  Everyone
can sing it.

I love how young it sounds.
I hate how young it sounds.

I’m saying that


Things will change.

The Trappings


If he is always watching, I hope he’s laughing.  I’d laugh
if not so
so busy all the time doing very
little
of consequence,

and now
I am sitting in the eye
of truth, laughing.  All eye
painted on the face
right beside its twin eye.   And I’m
sipping
aloe vera, Russian vodka, juice
and ginger, a drink
I don’t quite trust, actually, and I’m telling Ben how
we are all living
with death just ahead, and we
ought not forget it, and he says he
knows.

Not just ahead but with us.  Like a


backseat driver.    Then he laughs, and I laugh,

for a moment, closing both
my eyes.


18 July 2014

Deep Thing


The sun is the femme
fatale of the universe, at least
that’s what Kent says.  He went
with his new wife to see 
the Mayan pyramids at Chichen Itza, and
they blew his mind, despite the haranguing
vendors and the many, many tourists in his way.  He
didn’t climb them (the pyramids not the tourists), thanks
to the ropes and the guards, but he imagined it.  He imagined
the human sacrifices at the tops of the pyramids and the ball
game that ended in brutal deaths for the players.  He thought about
living in a time of  bloodlust and how he would fare
amongst the warriors. 
He worried about that.  He took pictures, too.

On the way home, they stopped in Valladolid
where they swam in the fresh, sweet water
of a cenoté, a sacred cave, an underwater sinkhole.  The
Mayans considered these many liquid caves to be entrances to the
Underworld, and when the Spanish conquerers arrived, they were very
impressed.  That day, the water felt like a cool miracle to Kent’s sunburned,
tired body, and the sunlight filtered in like a kaleidoscope through holes
in the porous rock ceiling of the cavern.  They both agreed with a
warm, sentient silence on the drive home
that the experience had been
significant.

When they got back to the resort, they listened to Mexican techno
because that’s what the bar was playing.  They met some Canadians,
and everyone drank together.  There were many toasts, glasses
raised and clinked against each other.  The whole evening felt
like a celebration, a feeling that only increased after the sun
went down, or turned away from them for the night.
His wife hadn’t been his wife for very long
yet, and every time he looked at her, he
raised his glass again.  She didn’t
mind a bit, and neither did
the Canadians.

A Long Search


They didn't have death in their eyes, or in their ears, or in their hands. There was no discernible evidence they had it in their hearts, either. It may have been in their clothes, for the majority of these were devised through the pulping of animal parts; but these were deaths of a certain distance, that they could take on and off. On their bedroom floor these items could be found imitating their prior forms, crumpled in piles like sloughed skins.

They did not have death in their hair, though it was, they knew, composed of dead matter. Instructional: such accouterments of personal fashion, freely given for cutting, styling, and dyeing, were made possible by the regenerative functions of the genetically insuppressible scalp above their brains.

Some did go bald, but this also could not be counted as a kind of death. Merely the evolution of hidden instincts towards their final flower, ironically, in this case, denuded of petals.

No death in their mouths, that could be heard or tasted. Investigations by deep explorative kissing turn up no sour graveyards under the tongue. In fact, these would be the furthest from such places.

Some of these even sucked upon the florid Achtung of a phallus, or groveled juicily for a flick upon a clitoris, but it should be said, even then, when they reemerged, they only had smiles to show for it.

Was there death in their manners? There were so many different species: the I-Have-Some, the I-Have-Yours, I-Have-None, I-Have-All. Though surely it would stand to pass that death could be found in a few of these, it was a big sociological surprise none were. True to advertising, these were more modes of survival, some polite, others more makeshift and malleable.

Was there death in their differences between each other? Here, yes, was something less immediately identifiable to their individual person, something less evident when any one of them were isolated at the end of a single finger, pointing.

But no, not even that was the case. Variations of skin, size, language, group norms, assumptions, even genital orientation and predilection, were merely contrasts in a riotous continuum of sameness. Each at best an animal pulled from their mother. An event, it should be stated, as contra to the vacuum shuck of death as house cats are to purposeful dieting.

Was death in their expectations, though? Could it ride down into them so seamlessly and so subtly? Reports say: it wasn't, couldn't. Was in the things they made? Was it in those grids of collective convenience and purpose the finely-grained among them termed "consumer confidence" or "ideology"? A considerable shock to not find it there, either.

Was it in the past, or their feelings about the past? Was it in that artesian well of time coursing up through space, always insisting "here-now, here-now"? Or surely, in the inconceivable nowhere, nowhere, of the future?

As much as could be discerned, from cruising the fluid vagaries of passage in a body across expanses of duration, no, death was neither an agent or a direct negotiator of these.

It was pointed out that it was a faithful byproduct of them, but this couldn't be said to be true of each of them, each in their own, different pasts, different futures, but one time moving elaborately out of sync with itself, depending upon their location and distance from other forms of time, in space.

In short, death was not where they were, or who they were, or when.

But perhaps, it was asked, it could be found in the how and the why?

These couldn't be correctly searched for, isolated, identified for purposes of careful scrutiny. Nor could they be touched, poked, conceived of, abstracted from, nor subjected to a repeatable process of analysis. They could not be kissed, nor put through trials of sex or punishment or extreme abject acquisitions of knowledge to the detriment of personal relations to others and oneself. They could not be sold, nor fashioned into weapons. They could not be minted into a form of currency. They could not bring stillborns or ancient children in their sickbeds back to health. They could not get famous, nor render one famous by association. They could not confer notoriety, nor transform losers into winners, nor magnify the merriness of each creaturely self. They could not be loved into explicit existence, nor, in turn, hated out of it. They weren't, in the end, really even aspects of a question, though for several millennia this has not stopped people briefly in terror or wonder to ask them.

There was no death, it would seem, about them. Only questions.

Whereas answers, they heard, were things in themselves.