In Pasadena from the years 1982 until 85 there lived a woman named Holly Carver. A series of small decisions had brought her there, but for reasons soon described she would be compelled to leave and move to the northern suburbs of Chicago. During that time Holly rented a second floor apartment on Goodlawn Avenue with a girl she’d met in college. Looking back on their time as friends and roommates, Holly would wonder whether they’d been brought together not by fate or coincidence but by assonance. Polly Masterson, Holly Carver, Holly and Polly, “Hollypolly” as their friends had called them. This apartment on Goodlawn had been given a nickname also, one they admittedly enjoyed when their friend Cash had coined it: “Hollypollywood”. Such improvisations one can expect among people in their early twenties with a measure of inherited wealth, a talent for boredom, for resolving it, and a lifetime of aspiration and confusion ahead of them. No sooner do they invent a shared argot to insulate themselves from others’ understanding them too often, too well, than they obscure one another’s true feelings for each other along the way. Sometime during the three years they lived together, Holly tired of being playfully bonded to her roommate by tricks of speech. She was her own person. She was to be taken seriously. At her twenty-fourth birthday party, a gathering of old and newish friends at the apartment, she’d blown out all twenty-four candles Polly had somehow managed to stuff into a single cupcake, with the wish that the next year would liberate her from safe established patterns, retrograde habits of living. New city, new apartment, new job. New self. That above all else: new self. Intuition told her it wouldn’t be as easy as drawing in as much air as her lungs could hold, pursing lips to blow out every little flame dancing atop every little candle. She’d have to change the fundamentals of her life bit by bit, dismantle the exoskeleton so softer parts of herself might grow into fresher, more liberating dimensions.
Two months later one morning she walked into the kitchen where Polly sat sipping coffee, reading a trashy romance novel, told her: she had taken a job as a paralegal at a firm in Chicago, would be moving out at the end of the month. She was sorry to leave Polly so little time to find another roommate. So she hoped Polly didn’t mind, but she had taken the liberty of talking with their mutual friend from college, Shay, who she knew had been planning to move to the area. Shay was looking for a place to live and Holly had mentioned the apartment as an option. “Yeah, that works fine, I like Shay,” Polly said. “But why?” Holly knew what Polly was asking, but chose to feign innocence on the matter, reaching instead for the neutrality of platitudes. “This was nice, it was great. But we both knew it wasn’t going to last forever. Next year I’ll turn twenty-five. I need to switch things up if I’m going to get anywhere by the time I’m thirty.” Then: “God, why do I feel so old! Do you? Do you feel like you’re cheating yourself all the time allowing yourself to feel so damn old already?” Polly didn’t feel this, but theoretically it made sense to her. She wished her friend well. By the end of May, Holly had packed a U-Haul trailer full of her belongings and left to cross the West then the Midwest, towards an even smaller apartment a few blocks from the shore of Lake Michigan, in Wilmette. Holly would never see Polly again and sadly but with some satisfaction knew it.
Among the many reasons to move to a city or country, some practical, others existential, a desire to be thrown into the unknown is not unusual, with the hope it will accomplish a more implicit, maybe even illicit desire: to revise oneself into a new person. Some will even go so far as to change their name and life story, to complicate ties to a past they’d rather not acknowledge, shed an identity a judge’s verdict had placed on them: thief, dealer, murderer. People rarely bear the power of fostering another’s reputation with grace or charity, for a good reputation is rarely interesting, whereas a bad one is exciting, and circulating that excitement through gossip is a pass-time not yet soon to outwear its welcome among the human species. To her knowledge, Holly didn’t leave behind a clutch of unfavorable opinions. She was popular among her friends and far as she knew flattering descriptors clung to her memory. Smart, funny, kind-hearted, occasionally mischievous. But who did that describe exactly, she was inclined to ask. It could describe any number of people and not her specifically. So it was maybe the first truly interesting thing Holly had done in her short, already long life—to abandon a good reputation. And moreover, to do so without a solid reason. Chalk it up to the wisdom that supposedly came as a consolation prize to the successive indignities of aging: a good reputation was but a subtler burden than a bad one, determining the course of a life through incentives instead of punishments. Since she’d been a well-mannered rule-follower in her teenage years, she considered this her first true act of rebellion. She would chose to contradict the incentives that had been seemingly laid out for her to take, one after the other, each along a path leading through marriage, family, grandchildren, great-grandchildren. Instead she forced a detour and moved to a forgettable pretty town on the outskirts of Chicago. She knew no one in the city. She was a stranger though a neighbor, a new co-worker, a commuter. Over the telephone her parents informed her they were terrified. Over the same telephone her older sister told her she was bewildered to see her suddenly so adventurous, but encouraged her. What a gutsy move, she said. If she was younger and could do her twenties over, she’d do the same.
Five days a week Holly drove to a parking lot on edge of the city, at the northernmost train station. From there she took an El toward the downtown loop. At North and Wacker, she stepped off and walked five blocks to the large glass office building where she worked. It was as if through various stages of grogginess her morning commute woke the entire city up along with her. A few people standing politely at the northern station; stop by stop, the train gradually filling with more people; city busier and busier out the window; stepping onto the platform amongst a wild bustle that flowed up stairs and onto sidewalks. By the time she strode among others in a crowd, keeping pace, she was wholly anonymous sipping coffee from a travel mug. This sensation, of being one small part of an energetic many, what to call it? It was, she couldn’t find another word for it that wasn’t pompous or embarrassing, metaphysical. A big concept with humble beginnings, Holly carrying purse and coffee into Sears Tower.
To arrive at her office door on the 75th floor required a kind of metaphysical travel, riding an elevator among a mixed company of workmates and strangers, each stepping off at an appointed floor. The interiors of the building floated past unseen, but Holly could imagine a few people she had just seen, shared an elevator ride with, walking through hypothetical offices, beneath hypothetical florescent lights. Some worked in law offices, others in accounting, real estate, generic domains of trade that offered few details to distinguish one from the other, each employee dressed in slacks and button-down shirts, skirts and blouses. It was a modest self-same business, devoting hours of one’s life to working on a specific floor of such a building. But this is what she’d sought, wasn’t it, moving halfway across the country? To live as herself in novel surroundings. Which is to say: an office in Pasadena was not the same as an office in Chicago. Here she found the environs of paralegalhood transformed by sheer numbers, law practices, offices; here just lifting a bagel off its napkin, taking a bite of it, setting it back down, she partook in a hive-mind plurality. The lawyers she was assigned to, Fable Green, an associate, and Charles Thrasher, a junior partner, “Charlie”, as he’d requested she call him, though she never did, warned away from the invitation by another paralegal, Dana, who’d advised stricter collegiality with the man.
Her first month working in the building Holly caught panoramic glimpses of the city through the windows of her work-lords. Handing a folder to one of them, waiting for feedback or future orders, she’d allow her eyes to wander beyond tinted glass to view the sheer spread of city blocks to the south and west, streets trickling to vanishing points. It was a view any one working in such offices were doomed to grow accustomed to. Lucky her, to be granted audience with it only a few minutes at a time, every day or so. It would take her longer to lose the low-key feelings of enchantment that stirred when she watched a metropolis reduced to a trillion tiny intricacies. Her office, it should be said, was windowless and cramped, large enough to contain a desk, chair, and file cabinet.
Of the lawyers she worked for, Thrasher and Green, the former was more tolerable, the latter a bit irritating. Fable Green had also insisted Holly address her in the familiar but Holly sensed any response that deviated from the request would be taken as a slight, a modest subtle rebuff. The dance between professionalism and overfamiliarity began here, with names, Holly knew, but soon extended to work hours, personal information, a capacity to say yes or no without being made to feel guilty, or worse, criticized. Fable’s office was the smaller of the two but more organized, no loose papers as in Charles’ office, certainly none arranged in random stacks on the floor which, entering the door, she’d have to step around to reach the chair she’d then have to wait standing beside before receiving formal invitation to sit. The invitation would often not come, Charles distracted by a phone call or some nuisance of information on his computer screen, and she’d be left to stand, his eyes not lifting yet to acknowledge her. High-strung, fiercely caffeinated, Fable cut a disconcerting figure for she rarely would be found sitting or behind her desk but pacing, “dancing in circles” in her words, fingers of one free hand typing the air while the other hand held a sheaf of pages. She was brilliant but acute in her style of address, quick nips at the recipient of whatever request or observation or query she was making. Did the woman sleep? Did she ever reach a state of calm enough to sit, much less lay down? When Holly stepped into Fable’s doorway, door usually open, nine times out of ten Fable was already staring doorwards, stark blue eyes wide and wired. Out of habit Holly would knock on the door and this would snap Fable from intense stillness, get her gesticulating, talking. The woman, Holly thought, would be a court stenographer’s nightmare.
Then came the needling questions. Had Holly had lunch yet? (Prelude to inviting herself to lunch along with Holly.) Did Holly think it was chilly in the office? (Possible foray into Holly’s honest feelings about her.) Was that draft of Simmons filing ready yet? (Test of Holly’s ongoing internalized awareness of Fable’s own anxiety-driven priorities, since the filing was due for a week, and Fable was one to work ahead.) To converse with the Fable Greens of this world is to forever be put on one’s back foot, knocked off balance. Holly had learned from early experience working for demanding task-masters that dodging direct inquiries with non-committal pleasantries wouldn’t do. You had to be simple and clean with your excuses and most importantly had to hew close to the factual. No, she always brought her own lunch. No, the temperature seemed just fine. Yes, the draft of the filing was almost finished. In fact, she’d come by just now to let her know Fable could expect it done by early afternoon. Did Fable need it finished, though, before lunch, or could it wait an hour or so?
It was a shame Fable was always in the office but rarely distractable, since the view from her window was ideal for amateur omniscient contemplation. The first day she’d visited Fable’s office in company of the secretarial manager, a tall broad-shouldered woman named Zuzanna, among their introductions the woman had commented on the sight of the Neo Center, second tallest building in the city, a dark gleaming finger poking from the rainy hazy horizon outside. Fable hadn’t turned to acknowledge it then nor did she since. It’s as if she couldn’t see beyond windows or had never been taught to care. What was jittering on inside her nerves and mind was the most immediate thing, the most acutely tangible. The rest was decoration and she could do without it.
Holly didn’t risk offending Fable by allowing her eyes to wander. Fable’s blue eyes demanded full reciprocity of attention, so breaking away from them to satisfy curiosity at the window would be read as dissent or at the very least a subtle power move. Since it was forbidden, this made the view all the more alluring. On overcast days she’d attempt to catch a glimpse of the cityscape reflected just over Holly’s shoulder in the glass of a framed photograph, but the reflection was vague, unsatisfying, out-of-focus. More than once she felt aggravated to the point of turning to admire the view, regardless of consequences. If she did, she knew she might never be allowed in the office again. Reassigned to a different attorney, she’d lose access to the city seen from this specific height, this particular angle. All the more alluring because impermissible.
Finding there what you’ve been looking for? her sister asked across two thousand miles of telephone wire.
First time the question was asked, she didn’t have an answer. A few months later, she felt confident enough to report: wait, she had. Perspective, a birds-eye view, the kind only tall buildings can provide. Life in Pasadena had kept her low to ground. Here she was in the clouds, looking down, surveying the melee of living from an immortal height.
But you’re afraid of heights, aren’t you?
Her sister wasn’t wrong. Holly couldn’t step on an airplane without swallowing two Valium.
That might be changing, she told her. Maybe there was something about these heights viewed from office windows.
Streets and cars and buildings and trains and tiny, tiny people. It was like staring at a painting whose details were forever in movement. So much to consider. So many sights to zoom in on, track a while with squinted eyes, zoom back out to appreciate its place in the larger pattern. Enough to give an atheist like her a brief taste of divine intelligence. Though she didn’t believe in god, she could enjoy the view.
Her firm, Schiff, Hardin, & Waite, rented the 74th, 75th, and 76th floors. On windy days, her little windowless office would creak and sway. Doing their tour of the offices her first day, Zuzanna had warned from time to time the building rocked like a ship on water. Many employees, her included, kept dramamine in their desk drawers to ward off motion sickness. One afternoon, after fighting back nausea to complete a brief, Holly conceded she’d have to do the same. Knocking on Zuzanna’s door frame, she asked to borrow two dramamine. There’s only a few left in this, Zuzanna said, keep the whole bottle, I have another unopened. Holly said it’d help if she could look out a window, see ground. Zuzanna thought a second then suggested she go to the library on the 76th floor. Until then Holly hadn’t had an occasion to visit. It should be quiet up there, Zuzanna told her, Bobby will be at the desk. Tell him you need a carrel.
Holly called Fable then Charles to let them know she would be taking an early lunch. To avoid unwanted conversation, she took the stairs. The 76th floor was quiet, unlike the others, empty foyer, elevator doors reflecting the emptiness. Through double glass doors she saw rows of shelves, chairs and tables and no one sitting at them. In the library, behind the desk sat a middle-aged man in glasses photocopying paperwork. Holly asked for a carrel and he lead her to one, but seeing it was facing an interior wall, clarified she was looking for one with a window view. This was no trouble. Bobby led her to a seat and carrel next to glass and left her. No food, no water, the sign at the library entrance had read. So Holly dry-swallowed Zuzanna’s pills and waited.
The window faced east, an angle of the city she hadn’t enjoyed before. At first glance it offered recombinations of the usual: buildings and more buildings, a small park, cars parked or driving, people walking along in miniature. She let her eyes wander, settle on some figure, follow it a while, switch focus then follow another. She wasn’t quite sure this was meditation but it calmed her. Reminded her of illustrated picture books she poured over as a child, fantastic tableaus depicting creatures and people in a landscape, too many to examine at a glance. As her eyes wandered from one to another, they improvised a narrative, first this happened, then this, but depending on how her eyes scanned the pages, left to right, down to up, just as easily it could’ve happened otherwise. In a few hours she would grab her purse and coat, ride the elevator to ground floor and join them.
To the right, down a few floors, a few hundred feet from where was sitting, was the rooftop of the Metropolitan Correction Center. Law and order. Here she was sitting, representative of the law, over there, down below, was order.
On the way to work every morning, she passed the building without noticing—it stood on three points, not four. Triangular in construction and atop it, something she certainly wouldn’t have had opportunity to notice at street-level, a prison yard on its rooftop. A tall triangular wall topped by razor wire, incognito in the heart of the city.
A bright winter afternoon. Windy but cloudless.
In the yard orange dots in groups or in pairs. Prisoners. Prisoners in orange jump suits.