stealing sweetness with
electrostatic pollen
all of us with wings
30 October 2010
29 October 2010
Pageant in the Troposphere
Do you trust the clouds today?
Sky-wild and fragmentary,
carriers, adversaries.
What tired hands
beat for at the end
of the play, What
dancing men leap for
escaping a stage:
Lay claim, lay claim!
Wind-sleuths of absence,
burlesque nonsense,
Let it rain, ludicrous,
Let it rain!
Sky-wild and fragmentary,
carriers, adversaries.
What tired hands
beat for at the end
of the play, What
dancing men leap for
escaping a stage:
Lay claim, lay claim!
Wind-sleuths of absence,
burlesque nonsense,
Let it rain, ludicrous,
Let it rain!
26 October 2010
Glory Be The Stars
Oh, Formidable day!
Listen--as sirens
drone ruin into our
tired lives and sun
beats bright,
blind salvation.
Oh, Contemptuous night!
Midnight clouds
fated to swallow
whole any daylight
mistakes, will sleep
not consume me?
Oh, Cosmic sky!
All of us, buried
alive beneath
you, all of us
in the same grave.
Listen--as sirens
drone ruin into our
tired lives and sun
beats bright,
blind salvation.
Oh, Contemptuous night!
Midnight clouds
fated to swallow
whole any daylight
mistakes, will sleep
not consume me?
Oh, Cosmic sky!
All of us, buried
alive beneath
you, all of us
in the same grave.
25 October 2010
white squall
ten birthdays stronger
one day is just like
the rest of them, before and after
her thirtieth, pregnantwith expectation and, probably
a daughter--Elsa or Adele
she said, sons don't live in me
one day the wind shook the
house like bones and
everyone hid in bed
while the cats watched
clouds surge
past the window
like cinema
one day all is not lost
all days feel the same
but we percolate
differences, this is
called art, she thought
sipping dandelion tea
with Elsa
in her golden
kitchen
23 October 2010
passage
i pine, i wilt
undoing the ugly
one dress at
a time
meanwhile, tirelessly
waning....
i confess, i desire
imagine sky up
call to arms, like
knife play face
up and
swallowed...
oh, autumn king
turning doubt
into crackling
fodder like
you can
chew it...
rejoice, queen
fall, collect
night harvest
grow daylight
like
science....
undoing the ugly
one dress at
a time
meanwhile, tirelessly
waning....
i confess, i desire
imagine sky up
call to arms, like
knife play face
up and
swallowed...
oh, autumn king
turning doubt
into crackling
fodder like
you can
chew it...
rejoice, queen
fall, collect
night harvest
grow daylight
like
science....
21 October 2010
Vulgars of Glory (Close-Up)
His hangover contraband
From last night’s
Kentucky Breakfast—a little
Face-on-face violence
With his dead breath coming off
The mirror. Pulses like he’s
Got as much steel in
His head as Phineas Gage.
Michael, he blinks, why
Did you do it, why did you enter
The Dark Night of the Beer?
Snow swirls outside
The apartment window like
Last year’s fall fashion.
In the summer pregnancy
Of the Queen Size, Marie
Rolls to her left side,
Wrapped in afterglow placenta,
Sheets and comfy sighs
To herself: she sleeps in, he
Gets out, lead by alarm clock
Tether along the undead
Tightrope, bedroom to
Hall to kitchen, to man
The sarcastic gargles of the
Coffee maker. Lucky M..
She’d stayed up till three
Toking DVDs to her heart’s
Pleasure while he lay
Skating on black ice next
To her. If she spied any bad
Dreams on his scalp,
She’d nit them off and, with
A flick, dash them by
The dozens on the movie
Laptop. Annoyingly sweaty
And pig hygienic as he
Could be, she liked having him
There, lightly snoring at
Her mercy. Last night in
Particular, he was damp
And squirmy. It was like
Five hours of him pissing
From every pore…when
Had he downed so many
Glasses or liters? What’s worse,
He stank like rye bread
In a sauna. She had to sit there
And be the victim of
That smell—the spoils of
Too many at the bar after
Dinner. These are the
Kinds of oversights you
Make in Minnesota. Not
In a Vast and Indistinct American
City: drive home under the
Reasonable spell of a
Few stouts, fumble at the
Door, lift arms and
Command the clothes fall
Right off you. A guerilla
Striptease to the ironic
Horror of a wife or
Girlfriend. Then in
Bastard boxers, climbing
Like a fish with arms into
Bed. Marie sneezes. Their
Flesh jiggles. Then A.M.
Alarm-light splits his
Young skull like a saumari
Demonstrating his sword skills
On a melon. Pain is
The tractor beams of routine,
Pulling him to be
Impaled on the salary needle.
Add to that a cannibal headache,
Coughed up like cud
To stand and dress—in full-
Body migraine. Out of
Love and patience and
Generosity, all virtuous
Verities, she makes like
The snow and drifts. One
Spare cheek exposed
On a pillow, to be kissed.
Vulgars of Glory
Sick wine drinkers
From the Holy Forest, rollers
Of empty bottles down mountains.
Drained of
Their gallon spirits they
Make a funny tinny sound,
Like cricket bagpipes,
As they hit a rock
Or fallen limb on their
Way down.
Coughs, snot blown on
Shirt-sleeves—
Not unhappy, just plum
Blotto, flu-stuck.
Only the great realists
Believe in love. Only the
Great ninjas of touch
Exercise its possibilities
Honestly.
As men and women,
Believers in gravity
And vino.
Even that hill below, that
They roll into themselves
And roll down,
Is less natural. But more powerful.
Why else, given the
Dangers
Of growing up, four out
Of every three adults
Behave like bottles?
Since there are highs and lows,
They will exploit the
Disparity
For significant, but rough travel.
In their bodies
Romancing the difference
They find and live out
In each other.
20 October 2010
everything is perfect once again
no kill
no change
i will not starve
i will not starve
honeybee
queen sir
sweet like
muzzles
albatross
eyes drink
living
typewriters
sunshakes
still hungry
like fleas
no change
i will not starve
i will not starve
honeybee
queen sir
sweet like
muzzles
albatross
eyes drink
living
typewriters
sunshakes
still hungry
like fleas
19 October 2010
How To Disappear
And what they sing so lovely and so meaningless
may urge itself upon you with the ache
of something just beyond the point of being remembered
the trace of a brave thought in the face of sadness
-- Craig Arnold
Justin Isosceles chose his patsy
Motives set, blood smeared,
No longer just a thousand poundsIn his mother's living room, he
Did not say goodbye to anyone,Bribed an official in Mexico
City and hopped the border.Looking back was not an
Option, so he never did.Iceland, Bora Bora, Paris
Misinformation, DisinformationReformation
Mobsters, Sky jackers, CubanRevolutionaries
Jean Spangler, Lionel Crabb
Weldon Kees, American poetLeft his keys in the ignition
Of the Golden Gate Bridge.Airplanes, Alcatraz,
Abductions, swimming inSurf, Peter Winston,
Chess master, missingIn New York City after
Winning the biggestMatch of his first life.
Kristen Smart, afterLeaving a party.
On the side of the road,At sea, Outside
Shopping malls, From RailwayStations, On her way
To work.Slovenian girl, Spanish
Boy, Swiss-born activist.Hoffa, Hadwin, Holloway.
Jim Gray, database pioneer,
Off to scatter his mother's ashes
On his sailboat, Tenacious--
Vanished, Traceless.
No sign of
Gray, no Tenacious.
Last year:
A curious poet was swallowed
By the Mouth of a Japanese
Volcano. It is said
Once he realized
What was happening,Jim Gray, database pioneer,
Off to scatter his mother's ashes
On his sailboat, Tenacious--
Vanished, Traceless.
No sign of
Gray, no Tenacious.
Last year:
A curious poet was swallowed
By the Mouth of a Japanese
Volcano. It is said
Once he realized
He let go and
Cheered
The whole way
Down.
15 October 2010
What Stillness Said
Where cliff ends and sky
begins, I meet you. I meet
you where I want to--
under rocks, inside television
sets, on the eye of the needle
of the phonograph record while
Dollar Brand's piano rolls,
on the black spruce b-flat of the
unplayed piano. I meet you in
chimneys, in unmarked cars, on
the central incisor of Daniel Van
Dyke's open mouth. On the ocean
floor, I will meet you, with brine
and with gills. On the ocean
floor, we will speak of water and
darkness and when all there is
is water and darkness, we will not
mind. I will meet you in the center
of the glass eye where we will
see what glass sees.
We can meet here--
in the empty
cup,
in the sap
of the blue
spruce tree,
inside wild
guesses,
at the root
of the explosion,
between the
inhale and the
exhale.
But
if you call me,
I will not
come.
begins, I meet you. I meet
you where I want to--
under rocks, inside television
sets, on the eye of the needle
of the phonograph record while
Dollar Brand's piano rolls,
on the black spruce b-flat of the
unplayed piano. I meet you in
chimneys, in unmarked cars, on
the central incisor of Daniel Van
Dyke's open mouth. On the ocean
floor, I will meet you, with brine
and with gills. On the ocean
floor, we will speak of water and
darkness and when all there is
is water and darkness, we will not
mind. I will meet you in the center
of the glass eye where we will
see what glass sees.
We can meet here--
in the empty
cup,
in the sap
of the blue
spruce tree,
inside wild
guesses,
at the root
of the explosion,
between the
inhale and the
exhale.
But
if you call me,
I will not
come.
13 October 2010
Lunchbreaks of Vallejo
Another open hock in Lima Louisville, Infant Fall
from a tree of one hour
And my eyes, kaleidognostic, scan the trash leaps.
Doubled in shop windows, mentally black
In the eye of business types, and there we are: noon’s usual
halflings. How was I born to
Avoid one or the other? Yet to sense it
in their bodily drift:
because I look at them
Like so much information, I have more than
My share. You, Alzheimer One-Arm,
or you, Rehab Wraiths, problemsmoking in a
Heap by the wig shop—my balance, casual,
socializes the passing
Edge you stand on. Human beings as
Motifs, recurring offices, it begs us from bed.
But I would never make to remake it again.
These things best contemplated when warm,
Even they, even they once had an uncle.
But that, my friends, is not what I meant.
Those are not directions I would ever take.
But these ones.
On the brick promenade where work aphids
like myself skeletonize
Their sandwiches, you, skinny man, I
walked past you shaking your dreadlocks
over a trash can. Your organism, so
roachy and flogged,
And mine, more comely,
It bore food
To do careful thinking between us. My clothes,
You noticed, wore a fear of money. Yours said
your mother
was cleanly
Your mother. The vanishing siamese scissors
Where one person begins snips another.
A spider-mouth to chew skin-laundry.
I was walking, though, and you saw it.
The action of walking, happy.
It lead me past the TARC stop at 4th and Muhammad
Where a man-wad spoke, with precise rationality, to his belly.
Continued at a pace, one that
ate itself
And did not submit
To be eaten. You, though, unmanned you, hybrid, fasting
On the luck of the rest, stunted like chores in the shallows,
What you see is what I saw, all in a claim of sleep.
There is that difference between us.
And that, my friends,
is called
The Untrained Skin of Factual Feeling.
Some dim and some healthy.
Some busy, locked to benches.
And some left, l ike true residents, in stomach t-shirts, to digest
The unencumbered waiting of their own.
i watched them sit for seven days
i have run out of moments, so
i will steal one of yours, and then
his and then hers, and another
of yours, my trees blessed
with blood-tips, rustful and
flame-licked, your tree sings
to birds now, my birds thieving
tree-songs, my night has a bird-
sky, countless and sad-songed,
this poem was eight-days long, and
three of them are mine, this
poem is eight-days long and only
one of them matters, keep me
out of your coffin, this poem
should be ours, but I gave it
to her, she kept it for five
days and fed it to her birds,
her birds are for daytime, my
night-birds are screaming, their
morning is coming, your coffin is
open, my night
yes, my night, dear
is waiting
for eight
falllen
mornings
my night spilling tinctures, my sink
is for drinking, your sink made a
potion, and this I stole while you
were sleeping, your drink gave
me powers, but, really, what
am I keeping, my sink-night
is sinking, this poem should be
empty, but I gave it your
moments, I stole it, my ghost
is a person who sleeps through
the mornings, my ghost haunts
a stranger instead of my lover
i wasted my moments, so
I will steal all of yours, and then
his and then hers, and at last
I will sing
my way
home
i will steal one of yours, and then
his and then hers, and another
of yours, my trees blessed
with blood-tips, rustful and
flame-licked, your tree sings
to birds now, my birds thieving
tree-songs, my night has a bird-
sky, countless and sad-songed,
this poem was eight-days long, and
three of them are mine, this
poem is eight-days long and only
one of them matters, keep me
out of your coffin, this poem
should be ours, but I gave it
to her, she kept it for five
days and fed it to her birds,
her birds are for daytime, my
night-birds are screaming, their
morning is coming, your coffin is
open, my night
yes, my night, dear
is waiting
for eight
falllen
mornings
my night spilling tinctures, my sink
is for drinking, your sink made a
potion, and this I stole while you
were sleeping, your drink gave
me powers, but, really, what
am I keeping, my sink-night
is sinking, this poem should be
empty, but I gave it your
moments, I stole it, my ghost
is a person who sleeps through
the mornings, my ghost haunts
a stranger instead of my lover
i wasted my moments, so
I will steal all of yours, and then
his and then hers, and at last
I will sing
my way
home
12 October 2010
Nap Ode
A warm bed isolated from job,
Country, and family—
Sometimes a kind of calm sex.
To be nowhere at once,
With no reactionary thumbs
Pressed into your eyes,
In the grand utilitarian blindspot
Of a room refreshed behind closed doors.
Sometimes one body, two
Heartbeats; sometimes
Two bodies, one heartbeat; and
Junk clothes enough for
Ten people sloppy as
De-spined stars on the floor.
Quilten camouflage. Bunker
Absorption of
Windowlight in a pillow. Smashed
To save the hush from
Being tagged by eyes and ears,
Though the racket they’re
Attached to
Combines a living face it would kiss.
Just fifteen minutes. Still and
Stripped to anonymity beneath
Three dozen covers. One
For each year put to rest.
pittsburgh, cold and descending
in the Allegheny twilight glow, autumn came
on like a terminal illness, certain
to cancel the best laid plans
on the funicular, creeping slowing
down Mount Washington,
she gripped his distant hand
Listen, she began, you've always
been a great father to my boys...
he stared wordlessly into
the city's river reflection
of summers spent on his
mother's sister's farm, sunset
hills on third degree road, Aunt
Grace kept chickens, and while
she cooked breakfast (fresh eggs
scrambled with herbs from the
garden, biscuits, soft and dressed
with butter and peach
preserves) he would sit in the
hen house, while sun breathed
through wood slats, at one
with the birds, at peace
with his life, in those
days, in those moments,
he would think
and he would know:
this is what it means to live
on like a terminal illness, certain
to cancel the best laid plans
on the funicular, creeping slowing
down Mount Washington,
she gripped his distant hand
Listen, she began, you've always
been a great father to my boys...
he stared wordlessly into
the city's river reflection
of summers spent on his
mother's sister's farm, sunset
hills on third degree road, Aunt
Grace kept chickens, and while
she cooked breakfast (fresh eggs
scrambled with herbs from the
garden, biscuits, soft and dressed
with butter and peach
preserves) he would sit in the
hen house, while sun breathed
through wood slats, at one
with the birds, at peace
with his life, in those
days, in those moments,
he would think
and he would know:
this is what it means to live
11 October 2010
On The Final Words of Famous Disasters
Robert Brasillach’s last
Sarcasms were worth
Their weight in Fascism, but
It took the overeducated
Ounces
Of his body to say it:
“Long live France anyway!”
The pounds he gave up
Were enough
To earn back the conscience
Shortage shaped as citizens
During the Vichy years.
In 1999, the corpse of
George Mallory, preserved youthful,
Was found
By climbers on Everest’s
North Ridge. “Because
It’s there”, he was famous
For answering, when asked
Why he would attempt
To raise his ice pick at the summit.
Men who have fallen from love
Have answered better.
“Top of the world!” So much the
Better, to view the bottom.
When the Americans found him
He’d been waiting for rescue
Seventy-five years.
nepenthe
without pointing,
let me show youwhat chemicals
can dowe could hear the night
approaching sowe readied the evening
with warmreassurances,
a three-angled footholdand battening hatches
born ofan agglomerate
accident, on a pathsingle-minded
not choosing,but chosen
not empty,but open
.....shining,
soft and frozen.....shining,
moving as
if disasters
do not exist, not
if disasters
do not exist, not
an option this
is pauseless andwhich heaven is this?
is Eden inside meas heartbeats and
knowledge, a lightthat is dimming
but not
disappearingbut not
just steadily
breathing
10 October 2010
afternoons are for sundays
belinda o'bottoms
ravaged, releasing
a week's worth of fury
in the hours between
sleeping and supper,
her beleaguered husband
went crazy
trying to contain her,
telephoning her sour
sister for some new
what-to-dos,
he got nothing from
thelma, the rants
continued, by evening
no sleeping would
grant him relief
from tired tirades
his beloved belinda,
deep into sundown
played theme for a
jackal on her warbled
accordian, whooping
and weeping, until
finally, since sleep
wasn't coming,
he chose instead
the Mayan
Underworld....
down he went,
disappearing,
leaving belinda
to lash out
alone
ravaged, releasing
a week's worth of fury
in the hours between
sleeping and supper,
her beleaguered husband
went crazy
trying to contain her,
telephoning her sour
sister for some new
what-to-dos,
he got nothing from
thelma, the rants
continued, by evening
no sleeping would
grant him relief
from tired tirades
his beloved belinda,
deep into sundown
played theme for a
jackal on her warbled
accordian, whooping
and weeping, until
finally, since sleep
wasn't coming,
he chose instead
the Mayan
Underworld....
down he went,
disappearing,
leaving belinda
to lash out
alone
As The Mayans Do
Gentleman animal, Gary, wakes in
intimate Xibalba.
Sleep had tried to make him
on its earthen way,
but, gored by a rum cake,
he got dumped in the lost & found bin
of an antiquated Mayan underworld.
Leopards and panthers guzzled
zilch wine
from the clocks of human skulls.
Baron Samedi, on loan from Haiti,
chomped a mealy, time-mangling cigar.
In his underwear, Gary sluffed the thoroughfare,
the bazaar overstuffed with worship booths,
lead by nothing so certain
as the instinct-grail
of his boner. He
scratched his belly. Measured
his progress with belches. But an hour of
scratched his belly. Measured
his progress with belches. But an hour of
honorary wandering
turned up only one
horrible, bland truth:
turned up only one
horrible, bland truth:
in the land of the dead,
there is no bathroom.
To relieve yourself,
you have to do
as the Mayans do.
And hope for no return
for water.
And hope for no return
for water.
09 October 2010
of arthur and dark water
not a poem,
but a warning
exile turns
sleep into worship
but don't you know
I have a boat
and the water is still now
you have to learn
from the inside
what it feels like
to float
these are silent
lessons,
untaught, indulgent
under midnight
blankets
a man with a family
can do the most
damage
his actions go farther
than we really know
twice removed force
to punish the
evening
distant, unreaching
east of New England
in water,
forsaken,
listening
from below
but a warning
exile turns
sleep into worship
but don't you know
I have a boat
and the water is still now
you have to learn
from the inside
what it feels like
to float
these are silent
lessons,
untaught, indulgent
under midnight
blankets
a man with a family
can do the most
damage
his actions go farther
than we really know
twice removed force
to punish the
evening
distant, unreaching
east of New England
in water,
forsaken,
listening
from below
08 October 2010
Herr Fable
disbelief in power is power's best
friend, a friend once told
friend, a friend once told
me, on the eve
of the Ides of July,
don't beat a dead cocktail napkin
and don't kick me when I'm gone,
now laughing, mouth gaping,
face facing upwards
you can't push inside what
has flown out, Pandora's
deterrent, now wry like
a mother,
he whistled a most
irksome tune
a day without worship
makes workers feel
nervous, terse-faced
and wild-eyed, he sat
...........down,
of the Ides of July,
and then
knowing when to let go
is of particular importance, when
he said this he was sage-like,
knowing when to let go
is of particular importance, when
he said this he was sage-like,
particularly earnest
don't beat a dead cocktail napkin
and don't kick me when I'm gone,
now laughing, mouth gaping,
face facing upwards
you can't push inside what
has flown out, Pandora's
deterrent, now wry like
a mother,
he whistled a most
irksome tune
a day without worship
makes workers feel
nervous, terse-faced
and wild-eyed, he sat
...........down,
floored
treat disappointment
like a notch on the
bedpost, now his voice
had grown colder and
he went
treat disappointment
like a notch on the
bedpost, now his voice
had grown colder and
he went
horizontal
all of your chickens
are speaking in
Russian, is all that
all of your chickens
are speaking in
Russian, is all that
I gathered as
he puttered out,
..........drunk.
he puttered out,
..........drunk.
Trickster
What hits a person here, in a white
G-shirt, scalp in nub knots,
Materializing in your blindspot
On the corner of Fourth and Chestnut?
Walking alongside you with a hand
out, exerting
The calm of small-change magnetism.
“Hey fella, how’re you doin’?” he
Grins. In the jab-and-feint style
of predatory
Gregariousness… so the hand is taken.
He grips, shakes it. And you look down.
Shreds of brittle dried blood where
According to mundane scenario
His fingernails stare out.
Jags of cauterized sauerkraut, mangled.
Your hand leaps. Vomits his grip.
(Gut fright is the king of judgment.)
Off at a faster pace than he can laugh.
Street crossed, eyes belt and bursting.
Boy me, is there nothing funnier
Than a white boy who can outrun his money!
07 October 2010
Kitty Day
Honesty is always homeless,
Like a spider. All the
Architecture it needs
Is buried in its belly, an itch
To bridge the blank most things fall through.
So Kitty, full of mini-creatures
Of self-observance and
Gentle cleverness,
Assessing the state of her luck
Leapt off her homebody doubts
To take a chance on herself, that she deserved it.
Like the microchip intricacy of a web
All residents of Colorado woke up one morning
to find
breezing nonchalantly across the Grand Canyon:
in one day, at her nap station behind
the counter of
the boutique her
friend Dot ran, two men
walked in, wasted
five unconvincing minutes
at the shirt-racks feeling up the
cotton of their ruse,
and, then, shaking in their individual species of shyness
asked her out on a date—one for Friday, one Saturday.
Both of their names were identical: Ben Wellman.
How is it, in a city as tight as a flowerpot, there could be
Two singles with an eye for her, named the same?
And what were the chances they’d step through the
Angel-dunced bell of the door
The same afternoon, frisked by loose rain, and nervous
To align looking and talking where they wish her?
Weekends are indeterminate and happy, she thinks, folding a sock.
This one deserves a little paper hat, in fact,
Some origami moniker. I know. Three nights, two
Days or not, I’ll call it:
Kitty Day.
Let’s see if they both kiss like they felt it.
06 October 2010
natasha, woman of supper and light
an answer! exactly
any longer she's certain
would break so she goes,
with her life and her hands,
to the streets, ready
to eat up entire days, with
a smile from some holy place
walking for weeks without
stopping, still with
a spring in her gait, the sun
meets its match in her brightness
and attaches itself to her face,
her stride never minds that she
must shut her eyes, going forth,
completely unfazed, until just
after crossing the crossing
of fifth and east main, collides
with a force into Benjamin Davis,
like Adam, he splits into two
Benjamin Davis meets
Benjamin Davis, two men yet
one and the same
gathering all of their pieces,
the three rise slowly to meet
Benjamin Davis and Benjamin
Davis fall in love with the
she in the street, one says he'll take
her to dinner, the other to afternoon
tea, she kindly declines, then
accepts, after all, it's
a chance that won't likely repeat
(and, of course, she thinks
with a sly, sly
grin, to irk Henry,
that wallowing
.........creep)
becoming, Henry for certain
grows darker by the hour
glowering, shaking, disgraced
the pill of the evening
she's had it to here,
she won't hear his casegrows darker by the hour
glowering, shaking, disgraced
the pill of the evening
she's had it to here,
any longer she's certain
would break so she goes,
with her life and her hands,
to the streets, ready
to eat up entire days, with
a smile from some holy place
walking for weeks without
stopping, still with
a spring in her gait, the sun
meets its match in her brightness
and attaches itself to her face,
her stride never minds that she
must shut her eyes, going forth,
completely unfazed, until just
after crossing the crossing
of fifth and east main, collides
with a force into Benjamin Davis,
like Adam, he splits into two
Benjamin Davis meets
Benjamin Davis, two men yet
one and the same
gathering all of their pieces,
the three rise slowly to meet
Benjamin Davis and Benjamin
Davis fall in love with the
she in the street, one says he'll take
her to dinner, the other to afternoon
tea, she kindly declines, then
accepts, after all, it's
a chance that won't likely repeat
(and, of course, she thinks
with a sly, sly
grin, to irk Henry,
that wallowing
.........creep)
Witches & Warlocks in the Wild
We see it, though we swear
Our binoculars are liars. Due south
Of Wolf Pen Branch,
There is a nasty stretch of scrub undergrowth,
And hatched in the itchy clutches of it
A classic Roman orgy in the briars.
Our assistant, Miss Carter, snaps
Covert photographs of them with a
High powered lens.
Uploaded to a surveillance satellite
The shameless size of them
Coupling
Without any respectable reference to each other
Winks awake on monitors
Back at the home lab.
Out in their horny habitat, rude and fresh.
Kneading each other until they're unrecognizable
Or outgrown golems of the alphabet.
Snagged and humping and spun embraced by thorns.
On and on without any food or water.
Never aging
against the current of growing older.
They look like flies shocked to life on a web.
Anderson has a knack for
Trading in facts for metaphor,
But
Seeing this, I would agree with him.
So lost in the hum
Of pleasure effort
They're free from the sting of
Nerve endings shredded and exposed
To wilderness air. Being a man of
Science, I should say, it’s a species of
Concentration to be envied.
Muddy and bloody
And drugged by heavenly weather,
Outside thought drinking thought,
Untouched by money or gender.
Still, I wonder: what kind of
Flesh
Do they subsist on?
To taste it or anything, I think
I would have to become one of them.
Our binoculars are liars. Due south
Of Wolf Pen Branch,
There is a nasty stretch of scrub undergrowth,
And hatched in the itchy clutches of it
A classic Roman orgy in the briars.
Our assistant, Miss Carter, snaps
Covert photographs of them with a
High powered lens.
Uploaded to a surveillance satellite
The shameless size of them
Coupling
Without any respectable reference to each other
Winks awake on monitors
Back at the home lab.
Out in their horny habitat, rude and fresh.
Kneading each other until they're unrecognizable
Or outgrown golems of the alphabet.
Snagged and humping and spun embraced by thorns.
On and on without any food or water.
Never aging
against the current of growing older.
They look like flies shocked to life on a web.
Anderson has a knack for
Trading in facts for metaphor,
But
Seeing this, I would agree with him.
So lost in the hum
Of pleasure effort
They're free from the sting of
Nerve endings shredded and exposed
To wilderness air. Being a man of
Science, I should say, it’s a species of
Concentration to be envied.
Muddy and bloody
And drugged by heavenly weather,
Outside thought drinking thought,
Untouched by money or gender.
Still, I wonder: what kind of
Flesh
Do they subsist on?
To taste it or anything, I think
I would have to become one of them.
April, 1469
I sneak inside Ganges,
and Victoria
Nile, Krishna, Euphrates
I know what you're naming,
I freed all that's with you,
tiny gurus, giant
clearings, speak
of lost evenings and paintings
preparing for one-
legged sleep and half-
eyed errs barely staring
a window, re-married
to closets unpacking
completely,
this dark Limlight
bathing
and Victoria
Nile, Krishna, Euphrates
I know what you're naming,
I freed all that's with you,
tiny gurus, giant
clearings, speak
of lost evenings and paintings
preparing for one-
legged sleep and half-
eyed errs barely staring
a window, re-married
to closets unpacking
completely,
this dark Limlight
bathing
05 October 2010
Commiseration Among Thistles
A technocrat among thistles,
A boy with no lap,
And an hourglass
Walked into a bar.
The technocrat sayeth
To the young sprite on his shoulder,
“Who believes in grains of sand anymore?”
“I do”, said Thistle #12
To her sister
All down in her bristles,
Wobbling off the
Unneat (not yet messy) breeze next
To her. “Why else
Do we sport all these prickles?”
“It’s to
Keep us
Clean from the affection of herbivores.”
The boy, overhearing this, sneezed
Into his bottomless glass of milk
On the counter.
"I know what you mean", he said.
"This blank here, above my
Legs, below my belly,"
(both leaned over
Their stools to take a look)
"The cow I yanked
For this milk
Ate it while I wasn’t looking.
Can you believe that?”
“No, I can’t”, Thistle Annie said.
“Me neither,” agreed
Thistle Grace, “But
I do think it makes you some kind
Of honorary thistle.”
The technocrat laughed widely at that.
"On me! A round of horrible hours
For everyone!"
For everyone!"
the prisoner base
we are growing boys,
and we are fallen men
falling fast at speeds that feel like floating
with your feet in your throat,
like choking
a plummet or a coast
on blizzard beaches colder
than anything
you've known
oh frozen sir, before collapsing,
show me
what you've seen and
what you know
I know a cold that's not worth knowing
I see nothing much becoming
a table long ago in the window of the Cafe
Meridian, I half-read Saramago and half-
listen to the waitress loudly on the phone,
insurance renewed in stolen moments,
checking off to-do's, she serves
me steel-cut oats and a plate of potatoes,
she is good, this I know, she says
she likes them the way I do,
peppered and onioned, she has an eager
face, don't forget where you came from,
though, through
this memory traced from our tempest
of a seaboard, where I lie lapsing
in the snow
and we are fallen men
falling fast at speeds that feel like floating
with your feet in your throat,
like choking
a plummet or a coast
on blizzard beaches colder
than anything
you've known
oh frozen sir, before collapsing,
show me
what you've seen and
what you know
I know a cold that's not worth knowing
I see nothing much becoming
a table long ago in the window of the Cafe
Meridian, I half-read Saramago and half-
listen to the waitress loudly on the phone,
insurance renewed in stolen moments,
checking off to-do's, she serves
me steel-cut oats and a plate of potatoes,
she is good, this I know, she says
she likes them the way I do,
peppered and onioned, she has an eager
face, don't forget where you came from,
though, through
this memory traced from our tempest
of a seaboard, where I lie lapsing
in the snow
04 October 2010
rempah rempah
I come to you
from the rumpled longings
of the bed,
I've come to know you here-
arms, chest, and fingers,
the foggy rhythm
of your breath-
these pieces of you
come together nightly
to lie beside
the weight of my head
as I drag it through
dreamlands of dark markets,
indoor and maze-like,
abashedly Freudian,
I stop to eat
ill-lit dumplings
from a shadowy man
behind a metal cart,
he has feathers
in his hat and he
speaks with his eyes,
he brews hot, Oolong
tea he calls the Iron
Goddess of Mercy
and in between sips
he tells me
where the exit is
because he could tell
I had been lost,
the look in his eyes
makes mine want to
see, waking to smells
of sunshine and strong,
mexican
coffee, now
I greet you.
from the rumpled longings
of the bed,
I've come to know you here-
arms, chest, and fingers,
the foggy rhythm
of your breath-
these pieces of you
come together nightly
to lie beside
the weight of my head
as I drag it through
dreamlands of dark markets,
indoor and maze-like,
abashedly Freudian,
I stop to eat
ill-lit dumplings
from a shadowy man
behind a metal cart,
he has feathers
in his hat and he
speaks with his eyes,
he brews hot, Oolong
tea he calls the Iron
Goddess of Mercy
and in between sips
he tells me
where the exit is
because he could tell
I had been lost,
the look in his eyes
makes mine want to
see, waking to smells
of sunshine and strong,
mexican
coffee, now
I greet you.
03 October 2010
Last Thoughts, Drowning Man
10/2/10
A boat
floats
towards me.
A boat
inside a
house inside
a flash--
Labor Day,
1971
the year his brother brought
a girlfriend,
a woman in love
with Colorado
(she moved shortly after,
Loveland Pass or bust)
He caught a gilmpse
the corner of
a postcard
snow-capped peaks
peeking out of her make-up bag
left on the counter
of the blue bathroom sink
A boat
lets out
a battle-cry
of water victory.
At the edge
of the woods,
it seems thick, but
there is a path if
you look with
patience
and a steady eye.
A boat
floats
towards me.
A boat
inside a
house inside
a flash--
Labor Day,
1971
the year his brother brought
a girlfriend,
a woman in love
with Colorado
(she moved shortly after,
Loveland Pass or bust)
He caught a gilmpse
the corner of
a postcard
snow-capped peaks
peeking out of her make-up bag
left on the counter
of the blue bathroom sink
A boat
lets out
a battle-cry
of water victory.
At the edge
of the woods,
it seems thick, but
there is a path if
you look with
patience
and a steady eye.
Voyager Record
10/1/10
Time
destroys all
things
.............or
Each
moment exists
forever.
Thirty-three
years ago
Carl Sagan married a
woman he'd never kissed
because he knew what it meant
to be part of the
Cosmos.
"For keeps, Annie,"
--he knew it.
Her task--
to gather sounds,
all the sounds
that define us,
Earthings, 1978
the pop of a kiss,
a mother's first greeting
to newborn
child, Bach, "Hello"
in 59 human
lanuages and
one whale
language and waterfalls
and drones of traffic peppered
with horns
Annie searched up and
low, finding Flowing
Streams,
a song well-suited
to stand by her sounds,
to be pressed
the Record-
built to last
thousands of millions
of years,
through long stretches of space
or earth travel
then found,
oh, these sounds!
flowing behind
nervous
systems compressed into
intonation, reconstituted
into thought
thousands of years
after one spaceship
leapt into voids
carrying a record
and a meditation.
Time
destroys all
things
.............or
Each
moment exists
forever.
Thirty-three
years ago
Carl Sagan married a
woman he'd never kissed
because he knew what it meant
to be part of the
Cosmos.
"For keeps, Annie,"
--he knew it.
Her task--
to gather sounds,
all the sounds
that define us,
Earthings, 1978
the pop of a kiss,
a mother's first greeting
to newborn
child, Bach, "Hello"
in 59 human
lanuages and
one whale
language and waterfalls
and drones of traffic peppered
with horns
Annie searched up and
low, finding Flowing
Streams,
a song well-suited
to stand by her sounds,
to be pressed
the Record-
built to last
thousands of millions
of years,
through long stretches of space
or earth travel
then found,
oh, these sounds!
flowing behind
nervous
systems compressed into
intonation, reconstituted
into thought
thousands of years
after one spaceship
leapt into voids
carrying a record
and a meditation.
The Long and Well-Hung Road
The road was a zombie of snow.
A man is
a dog is
a horse is a deer--
am i wrong?
Yes, you are.
Where men walk,
animals grow.
Without animals,
we fall into
gracelessness
like a tin can full-grown.
A zombie is
a man twice removed
from his road
A road is a brain
seasoned for eating
a brain is a path in
a tin can, full-grown.
a puppy is
a foal is a
doe
Subscribe to:
Posts (Atom)